RENDEZVOUS OF DREAMS

-

Press information

Surrealism and German Romanticism

Curator

Dr. Annabelle Görgen-Lammers

Assistant Curators

Vera Bornkessel (since Oct 2024)
Maria Sitte (since Feb 2024)

Research Assistant 

Laura Förster (Jan - Sep 2024)

Under the patronage of

François Delattre, French Ambassador to Germany
Dr. Peter Tschentscher, First Mayor and President of the Senate of Freie und Hansestadt Hamburg

Press Conference

Thursday, 12 Juni 2025,  11 am

Eröffnung

Thursday, 12 Juni 2025, 7 pm

In the summer of 2025, the Hamburger Kunsthalle will launch a major exhibition to mark the 100th anniversary of the founding of Surrealism, taking as its starting point a comparison of two paintings first addressed by the Kunsthalle. In RENDEZVOUS OF DREAMS, over 180 Surrealist icons by Max Ernst, Meret Oppenheim, René Magritte, Salvador Dalí, Valentine Hugo, Toyen, André Masson, Victor Brauner, Paul Klee and many others will meet up with around 60 Romantic masterpieces by artists including Caspar David Friedrich and Philipp Otto Runge, conveying both explicit homages and stimulating juxtapositions. International Surrealism displayed a marked intellectual affinity for German Romanticism. The Romantic artists’ fascination with dream worlds, nocturnal scenes, the microcosm and macrocosm as well as a special feeling for nature provided a key source of inspiration for Surrealism one century later. Alongside Romantic poets such as Novalis, Achim and Bettine von Arnim, Heinrich von Kleist and Karoline von Günderrode, the artists Friedrich and Runge likewise played an important role in the search for a revolutionary form of art in the twentieth century. A total of around 250 paintings, drawings, photographs, sculptures and objects by 55 Surrealists and 25 Romantics will be brought together, both world-famous works and others that have never been exhibited before, from over 70 private and public collections in the USA, Mexico and throughout Europe, including the Philadelphia Museum of Art, MoMA New York, Tate London, Kunsthalle Prague, Kunsthaus Zürich and many more, as well as from the museum’s own collection

Read more

The show is the first-ever collaboration between the Kunsthalle and the Centre Pompidou, Musée national d’Art Moderne, Paris, ensuring exceptional works on loan from the latter. In celebration of the 100th anniversary of international Surrealism, the Kunsthalle and Centre Pompidou are also collaborating with the Musées royaux des Beaux-Arts de Belgique, Brussels; the Fundación MAPFRE, Madrid; and the Philadelphia Museum of Art, where the show will be adapted to the artistic and historical contexts of the respective countries. 

Admission slots can already be purchased for the exhibition in Hamburg.

Press release

Größe: 120.06 KB Format: pdf

Supported by

Logo_Freunde der Kunsthalle
Logo_Hapag Lloyd Stiftung
Logo_Hubertus Wald Stiftung
Logo_Kulturstiftung der Länder
Logo_Ernst von Siemens Kunststiftung
Logo Rudolf August Oetker Stiftung
Logo_Philipp Otto Runge Stiftung
Logo_Fürst Bismarck Quelle
Logo Sparda-Bank Hamburg
Logo_BKM Behörde Kultur und Medien englisch

Partner

Logo Centre Pompidou
Press Spokeswoman & Head of Press and Public Relations
Mira Forte
René Magritte (1898–1967) Die Zukunft der Statuen (L’avenir des statues), 1932 Öl auf Gipsguss (Totenmaske Napoleons), 33,5 x 16,5 x 19 cm Lehmbruck Museum, Duisburg © Lehmbruck Museum, Duisburg / © VG Bild-Kunst, Bonn 2025 Foto: Bernd Kirtz
René MagritteRené Magritte (1898–1967) Die Zukunft der Statuen (L’avenir des statues), 1932
Philipp Otto Runge, Der Morgen (erste Fassung), 1808, Hamburger Kunsthalle / bpk Foto: Elke Walford
Philipp Otto RungeDer Morgen (erste Fassung), 1808
Dorothea Tanning (1910–2012) Geburtstag (Birthday), 1942 Öl auf Leinwand, 102,2 x 64,8 cm Philadelphia Museum of Art: 125th Anniversary Acquisition. Purchased with funds contributed by C.K. Williams, II, 1999 © Courtesy of the Philadelphia Museum of Art © VG Bild-Kunst, Bonn 2025
Dorothea Tanning Geburtstag (Birthday), 1942
Caspar David Friedrich (1774 - 1840), Ziehende Wolken, um 1820, Hamburger Kunsthalle / bpk Foto: Elke Walford
Caspar David FriedrichZiehende Wolken, um 1820
Toyen (1902–1980), Traum (Sen), 1937, Kunsthalle Praha © Kunsthalle Praha / VG Bild-Kunst, Bonn 2024
ToyenTraum (Sen), 1937
Salvador Dalí (1904–1989) Weiche Konstruktion mit gekochten Bohnen (Vorahnung des Bürgerkriegs) (Soft Construction with Boiled Beans (Premonition of Civil War)), 1936 Öl auf Leinwand, 99 x 100 cm Philadelphia Museum of Art: The Louise and Walter Arensberg Collection, 1950 © Courtesy of the Philadelphia Museum of Art / Salvador Dali, Gala- Salvador Dali Foundation © VG Bild-Kunst, Bonn 2025
Salvador DalíWeiche Konstruktion mit gekochten Bohnen (Vorahnung des Bürgerkriegs) (Soft Construction with Boiled Beans (Premonition of Civil War)), 1936
Man Ray (1890–1976) Sternwartenzeit – Die Liebenden (À l'heure de l'observatoire – Les Amoureux), 1970 Lithografie, 68 x 104 cm Clo and Marcel Fleiss Collection, Courtesy Galerie 1900–2000, Paris © Courtesy Galerie 1900–2000, Paris © VG Bild-Kunst, Bonn 2025
Man RayMan Ray (1890–1976) Sternwartenzeit – Die Liebenden (À l'heure de l'observatoire – Les Amoureux), 1970
Caspar David Friedrich, Wanderer über dem Nebelmeer, um 1817, Öl auf Leinwand 94,8 cm x 74,8 cm, SHK / Hamburger Kunsthalle / bpk, Foto: Elke Walford
Caspar David FriedrichWanderer über dem Nebelmeer, um 1817
René Magritte (1898–1967) Das doppelte Geheimnis (Le double secret), 1927 Öl auf Leinwand, 114 x 162 cm Centre Pompidou, Paris, Musée national d’art moderne / Centre de création industrielle, Ankauf 1980, © bpk / CNAC-MNAM / Georges Meguerditchian © VG Bild-Kunst, Bonn 2025 [Nur auf Anfrage erhältlich.]
René Magritte Das doppelte Geheimnis (Le double secret), 1927
Max Ernst (1891–1976) Das Rendezvous der Freunde (Au rendezvous des amis), 1922 Öl auf Leinwand, 130 x 195 cm Museum Ludwig / Erworben mit Unterstützung des Landes Nordrhein- Westfalen 1971 © Rheinisches Bildarchiv Köln © VG Bild-Kunst, Bonn 2025
Max Ernst Max Ernst (1891–1976) Das Rendezvous der Freunde (Au rendezvous des amis), 1922
Paul Nash (1889–1946) Totes Meer, 1940/41 Öl auf Leinwand, 102 x 152,4 cm Tate: Presented by the War Artists Advisory Committee 1946 © Tate
Paul Nash Totes Meer, 1940/41
Max Ernst (1891–1976), Der Hausengel (Der Triumph des Surrealismus), 1937, Öl auf Leinwand, 114,2 x 146,5 cm, Collection Hersaint © Vincent Everarts Photography Brussels / VG Bild-Kunst, Bonn 2024
Max ErnstDer Hausengel (Der Triumph des Surrealismus) (L'ange du foyer (Le triomphe du surréalisme)), 1937
Marion Adnams (1898–1995) Eine Kerze des Verstehens in deinem Herzen (A Candle of Understanding in Thine Heart), 1964 Tempera auf Karton, 58,4 x 48,2 cm RAW Collection © 2025 Artist Estate courtesy of RAW
Marion AdnamsEine Kerze des Verstehens in deinem Herzen (A Candle of Understanding in Thine Heart), 1964
Caspar David Friedrich, Das Eismeer, 1823/24
Caspar David FriedrichDas Eismeer, 1823/24
Max Ernst, Ein schöner Morgen (Un beau matin), 1965, SHK / Hamburger Kunsthalle / bpk  Foto: Laura Förster © VG Bild-Kunst, Bonn 2024
Max ErnstEin schöner Morgen (Un beau matin), 1965
Victor Brauner (1903–1966) Porträt von André Breton (Portrait d'André Breton), 1934 Öl auf Leinwand, 61 x 50 cm Paris Musées / Musée d'Art moderne © bpk / Paris Musées / Musée d'Art moderne, Dist. GrandPalaisRmn / image ville de Paris © VG Bild-Kunst, Bonn 2025 [Nur auf Anfrage erhältlich]
Victor Brauner Porträt von André Breton (Portrait d'André Breton), 1934
Webform zum download
Required fields

Download press materials

Please fill in the following information to download texts and photo materials. Your details will be treated confidentially and will not be passed on to third parties. If you need more information, please do not hesitate to contact us.

Ihr Name
Please enter your medium (magazine, blog, etc.)
Adresse